From life in under the Third Reich to the life (and letters) of Willa Cather, “Nitrate Kisses” uses deeply personal stories to share a startling full look at lesbian life over the decades. Inventively structured around four different gay couples - mostly in various stages of lovemaking - the film also weaves in historical elements that address LGBTQ life through a number of lenses. It’s a crash course in all things Hammer, but it’s hard to argue with the essential value of her 1992 film “Nitrate Kisses,” a characteristically bold and imaginative blend of the personal and the political. As part of their Feminist Film Genealogies slate, Hammer’s 2011 short “Maya Deren’s Sink” will screen, appropriately following a screening of Deren’s own “At Land.” The next day, all eyes will be on Hammer for the Homage to Barbara Hammer series, featuring not just Hammer’s work, but also that of her mentee Joey (formerly known as Gina) Carducci, including films they’ve made together. Given NYFWW’s interest in creating bonds and links between feminist work of the past and future, it’s no surprise that Hammer’s work takes center stage in not one, but two different NYFWW programs. Forced to grapple with the intersection of his past and present in a very unexpected location, Black must find a way to still embrace Blue. Dunye is currently developing a feature-length version of the short - also starring Faraday - which is expected to start shooting this summer. That desire is thrown for a serious loop when Black, now working as a security guard, discovers a “stud party” taking place in one of his buildings. Appropriately screening at NYFWW as part of their “Bodies” program, the short stars transgender actor Kingston Faraday as the eponymous Black (formerly known as Blue), a trans man attempting to carve out a fresh existence in Oakland. Her new short, “Black Is Blue,” is no certainly different. Since seminal feminist filmmaker Cheryl Dunye broke out with her 1996 debut “The Watermelon Woman” ( which recently received a very necessary restoration), the multi-hyphenate has continued to explore corners of feminism and sexuality often missing from the mutliplex.
Many of the programs also include post-screening panels and roundtables, with talent appearing in person to discuss films and themes. You can check out their full lineup here.
#Must see movies from 2017 series
The inaugural NYFFW has divided its slate into a series of thoughtfully curated programs which tackle topics as wide-ranging as “Dismantling Islamophobia,” “Trans/Action” and “Bodies,” along with a special tribute to Barbara Hammer and an entire program dedicated to “feminist film genealogies.” Animation fans and those who are environmentally-minded will also find programs targeted to those interests, all told through a uniquely feminist lens. READ MORE: Female Filmmakers Are ‘Grossly Underrepresented’ When It Comes to Directing Opportunities, New Study Finds Designed to illuminate cultural and cinematic approaches to feminism - intersectional, transnational and everything in between - the first annual NYFFW features a hearty slate of films directed by filmmakers both known and rising, but you don’t have to be in attendance to catch up on some of the most seminal screenings on their calendar.
#Must see movies from 2017 movie
Inspired by similar feminist film weeks in London and Berlin, the co-founders of Woman With a Movie Camera are bringing New York Feminist Film Week to the city’s Anthology Film Archives.
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